One of the most represented canvases in Paris in the early 1700s, here re-proposed for the first time in modern times, Il muto per scarvento represents a great tribute to the Commedia dell 'Arte and to the all-Italian ability to make necessary virtues.
The plot is the "classic" of the Commedia dell 'Arte, with a contrasting love and the ties and improvisations left to the characters and the masks they wear on stage.
This Harlequin, certainly original for the choice of the original canvas and for the desire to bring back to the fore after at least 20 years of silence the Commedia dell 'Arte with its "repertoire" of instruments of the craft such as acting, singing, dancing, stage combat, lacing and improvisation, testifies to the choice of wanting to make an "art theatre for all", as the true and deep vocation of Stivalaccio Teatro.
